Cultural Studies

• Native American Mascots: An Issue with More than One Dimension

Drama-pre-19th century British

Drama-19th century to the present, British and American

Fiction-pre-19th century British

Fiction-19th century to the present, British and American

• Our Postmodern Identity: Cultural Multiplicity in Salman Rushdie's The Satanic Verses and Thomas Pynchon's The Crying of Lot 49
• The Remaking of Monarchy: Mark Twain and the Industrialization of America
• National Identity: The Internal Divided Force in Anne Devlin's After Easter
• Looking into the Eye of a Cyclone: Gender in Margaret Mitchell's Gone with the Wind
• Masculinity: Scarlett's Savior and Curse in Gone with the Wind
• From Rebellion to Acceptance: Old New York in the Novels of Edith Wharton
• (De)Constructing Stephen: The "sexual logic of colonialism" in Joyce's A Portrait of the Artist as a Young Man
• Educating Women? The Differing Perspectives of John Stuart Mill and Charles Dickens
• Destroying Racial Barriers in Glory
• Huck and Tom: The Importance of Tom's Reappearance in The Adventures of Huckleberry Finn
• Margaret Mitchell in the 1930s: Hope for a Better Tomorrow
• Overcoming Oppositional Constructions of Power Through Mutuality in E.M. Forster's A Passage to India
• George Washington Harris: Sut, Satire, and the South
• There It Is: Vietnam in American Literature
• Wright's Black Boy: Hope for Self in Communism
• Patriarchal Destruction of Women in Song of Solomon and Paradise
• Seeking the Self: The Quest for Independence in Jane Eyre and Villette
• Jane Eyre: A Journey to Self Understanding in a Male Dominated Society
• Letting Go and Joining In: Jim Burden's Journey Towards Reality In My Antonia
• The Real and the Ideal: Contrasting Depictions of Orphan Life in Charles Dickens' David Copperfield and L. M. Montgomery's Anne of Green Gables

Film

• Destroying Racial Barriers in Glory
• Evolution of Cultural Work in War Films: 1915-1994

Global Literature

• Literate Arts of the Contact Zone: Four Australian Aboriginal Authors
• Our Postmodern Identity: Cultural Multiplicity in Salman Rushdie's The Satanic Verses and Thomas Pynchon's The Crying of Lot 49
• Jorge Luis Borges and His Advancement of the Essay

Nonfiction Prose

• Roads to Truth: Emerson and Thoreau's Visions of Integrity
• Educating Women? The Differing Perspectives of John Stuart Mill and Charles Dickens
• "Roses Under My Window": Emerson's Evolving Political and Social Ideologies as Seen in Nature, The American Scholar, and Self-Reliance
• Jorge Luis Borges and His Advancement of the Essay
• Mary Chesnutt's Last Word
• Treating Fact as Fiction: Reader-Response in A Sense of Where You Are and The Deltoid Pumpkin Seed
• Stephen Jay Gould: Where Science Meets Culture

Original Fiction

Original Nonfiction—Autobiography, Personal Essay, Journalistic Prose

• from what I can gather: a "normal" person learns to embrace autism
• Mission Impossible? English Education in Tanzania
• The Roses of 67 Homefield

Original Poetry

• Calling Glory: A Collection of Poems
• Creative

Original Drama

• Television Script: "Heat Wave"

Poetry-pre-19th century, British and American

• Chaos and Milton's Law of Mercy in Paradise Lost
• Culhwch and Olwen the Core of Arthurian Romance
• Approaching the Kingdom of Dahomey: Uncovering the Warrior-Poet through Her Prose and Poetry
• Chaste Women in the Third Book of Spenser's The Fairie Queene
• Paying for Sex: Fairplay and Foreplay in The Canterbury Tales
• Orality v. Textuality: The Use of Dialect in Chaucer's "Reeve's Tale"

Poetry-19th century to the present, British and American

• Emily Dickinson: Reaching Out to a Wider World
• Reading a Drowsy Syncopated Tune: Jazz and Blues Music and Racial Response to Langston Hughes's The Weary Blues
• How the Civil War Affected Walt Whitman's Writings
• Inspired: Pain, Illness, and Poetry in the Life of Elizabeth Barrett Browning
• T. S. Eliot, Langston Hughes, and the Shared Modernist Aesthetic
• "Entire Faith in Them as Soldiers": Thomas Wentworth Higginson's Army Life in a Black Regiment
• "It is Everything and Nothing": The Role of the Persona in the Poetry of Keats and Wordsworth
• The Reconciliation of Art and Love: Elizabeth Barrett Browning
• My Favorite Things: The Jazz Poetry of Amiri Baraka and Sonia Sanchez in the Nineteen Sixties
• Barrett and Browning: Prostitution