Strings

Davis Brooks

Violin

    Davis Brooks comes from a diverse musical background as soloist, pedagogue, orchestral musician, studio musician, concertmaster on Broadway, conductor, and chamber musician. His teaching experience has included faculty appointments at Baylor University, Wayne State University, the University of Wisconsin at Eau Claire, and Bucknell University. He is Professor of Violin Emeritus at Butler University in Indianapolis, and was the 2015-2016 University of Alabama School of Music Endowed Chair in Music Composition.

    In addition to his present position as Associate Concertmaster of the Indianapolis Chamber Orchestra, Dr. Brooks was a member of the Mostly Mozart Festival Orchestra at Lincoln Center for ten years, and for nineteen years, the New York Chamber Symphony, which produced over 20 critically-acclaimed recordings during his tenure with them. Dr. Brooks has been concertmaster of the Chamber Orchestra of New England, the Harrisburg Symphony, and the Waco Symphony. He performs frequently with the Indianapolis Symphony Orchestra, and is active in the many recording studios in the Indianapolis area. In November 2016, Early Musings, his latest recording of new music, was released which featured solo music written for him by ten Alabama composers. Dr. Brooks has previously released two solo cds, one of music for violin and electronic media entitled Violin and Electronics, and one of music by composer C.P. First. Other recordings include Reflection on a Hymn of Thanksgiving by Frank Felice, With Every Leaf a Miracle by Mark Schultz, and Manunya by Frank Glover.

    At Yale University, where he received a master's degree in violin performance, Dr. Brooks studied with Broadus Erle and Syoko Aki. His doctorate, also in violin performance, is from the State University of New York at Stony Brook. Other important teachers with whom he has worked include Joyce Robbins, George Neikrug, Russell Hatz, and Raymond Page; he has studied chamber music with Julius Levine, Josef Gingold, Aldo Parisot, and members of the Tokyo, Alard and Guarneri Quartets.

    Chamber music is his first love. He has been a member of the Indianapolis Chamber Players, the Commonwealth and Landolfi Quartets, as well as the Meridian and Essex Piano Trios. In addition, Dr. Brooks' special interests include both the performance of music by contemporary composers and performance on original instruments, particularly the music of the Baroque period. He is a founding member of both the Chicago 21st- Century Music Ensemble and the Indianapolis Baroque Orchestra. Recording for the progressive rock band The Psychedelic Ensemble and David the Goliath have been a most pleasurable diversion, as has performing with the Indianapolis band Progressive Lenses.

    Spencer Martin

    Viola and Director

      Spencer Martin has performed and taught at music festivals throughout the U.S., Canada, Israel, and Europe as both violist and conductor.  An active chamber and orchestral musician, he has appeared as guest violist with the Pro Arte String Quartet and the Amelia Piano Trio.  His solo performances include Berlioz’s Harold in Italy with the Luther College Symphony Orchestra in venues in Austria, including Vienna’s Konzerthaus.  Spencer has served as Principal Violist in the Tuscaloosa Symphony, and also frequently performed in the viola sections of the Minnesota Orchestra, the Alabama Symphony Orchestra, the Wichita Symphony Orchestra, and the Indianapolis Chamber Orchestra.  Spencer’s solo, chamber, and orchestral performances have been featured in numerous radio broadcasts including National Public Radio, Canadian Brodcasting Corporation, Minnesota Public Radio, and Kansas Public Radio.

      Spencer’s CD, “Gems Rediscovered,” was released to critical praise on the Delos label in 2012 and features lesser-known works for viola and piano by Ernest Walker, Paul Juon, Robert Fuchs, and Benjamin Dale.  Spencer can also be heard on the Innova label on the disc “Waves of Stone, Music by Brooke Joyce.” A former member of the music faculty at the University of Alabama, Spencer holds degrees from Butler University, Wichita State University, and the University of Minnesota.  His teachers include Korey Konkol, Catherine Consiglio, and Barbara Westphal. Also an avid proponent of Baroque music, Spencer performs frequently on Baroque violin and has studied in Berlin with Baroque violinist Bernhard Forck. To see and hear excerpts of Spencer's performances, or for further information, visit his website.

       

      Tulio Rondón

      Cello

        Cellist Tulio Rondón, performs throughout the United States, Europe, and North and South America as a soloist and chamber musician.  Known for his vivid depth, passionate performances and strong leadership, he started his professional life early, as principal cellist of the Aragua Symphony Orchestra in Venezuela, which he helped found at the age of fifteen. He was appointed adjunct professor of cello at the Simón Bolivar Conservatory (Maracay, Venezuela) at just seventeen, the youngest to teach there. Since then, Tulio Rondón's performance career has taken him all over the world, sharing the stage with internationally celebrated artists such as Gil Shaham, Paul Katz, James Tocco, the Hagen String Quartet, Pacifica String Quartet, and the Miro String Quartet. Rondón is in demand as a chamber musician and early music specialist. He has been on faculty as the viola da gamba instructor at the White Water Early Music Festival in Wisconsin since 2010, and joined the Vancouver Early Music Festival as faculty on viola da gamba and baroque cello alongside Jaap ter Linden in the summer of 2012. He has recorded the works of Handel with Contrasto Armonico Baroque Orchestra, in The Netherlands. Born in La Victoria, Venezuela, Tulio Rondón began his cello studies through El Sistema, quickly moving up to the highest orchestra by age fifteen.  He received his Bachelor of Music from the Simón Bolivar Conservatory, his Master of Music from Miami University (Oxford, OH), and completed a Doctoral Degree in performance at the University of Arizona.  Pursuing his strong interest in historic performance practice, he continued his studies in The Netherlands, doing two years of post-graduate studies on baroque cello and viola da gamba with Jaap ter Linden and Rainer Zipperling at The Royal Conservatory in The Hague. Mr. Rondón is currently the violoncello professor at the University of Wisconsin in Eau Claire.  He performs on a 1783 Ioannes Michael Willer violoncello, and a copy of Michael Colichon viola da gamba c. 1687.